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The Patron Saint of Superheroes

Chris Gavaler Explores the Multiverse of Comics, Pop Culture, and Politics

After spending last month discussing the ambiguous boundaries of appropriation art and what may or may not count as fair use (parts one, two, three, and four), this week is the first in a series of experiments appropriating a work of art and transforming it into a comics sequence. I assume the final image would not violate copyright law, but I’m uncertain about any of the middle ones. More importantly, is Picasso’s untouched original transformed simply by the change in context? Sadly, the only way to find out is to be sued by Picasso’s heirs.

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