Skip to content

The Patron Saint of Superheroes

Chris Gavaler Explores the Multiverse of Comics, Pop Culture, and Politics

Tag Archives: Amazing Spider-Man

Who’s the richest superhero? Billionaire Bruce Wayne is an obvious choice. Tony Stark would be a good bet too. Green Arrow, Booster Gold, and Mr. Fantastic are all 1%-ers as well. Before comic books, almost all superheroes were wealthy: the Shadow, Doc Savage, Zorro, Scarlet Pimpernel, Spring-Heeled Jack. Money is the original superpower. It sunk its radioactive teeth into you from birth. But who’s the uber-richest of them all?

How about your friendly neighborhood Spider-Man?

Look back at his 1962 issues and Peter Parker has to scrounge just to pay his recently widowed aunt’s rent. His first masked appearance was in a wrestling ring so he could take home some pocket money. When Tobey Maguire started playing the part in 2002, he just wanted to cash in, not listen to his Uncle Ben about responsibility and all that.

And cash in he did. The Spider-Man movie trilogy grossed just over a billion dollars. That’s about $371 million per film, the 3rd, 4th, and 5th biggest superhero money makers of all time.

Of course Bruce Wayne has some pockets of his own. The two Christopher Nolan films averaged $369 million, so just a couple of shakes of the piggy bank behind Tobey. Unless you average all six of the Batman films, including the 1997 franchise ending Batman and Robin. Then poor Bruce plummets to a $240 million average, way below Robert Downey, Jr.’s Iron Man who ka-chings in at $315.

Fourth place goes to Superman Returns, the lonely solo reboot that still managed to gross $200.  Thor’s not far behind, debuting last year at $181. Though we may have to wait for Thor 2 to know the Asgardian’s real market value. And with Man of Steel in production, the Kryptonian is a wild card too. He could even redeem the collapse of his 80’s franchise when Superman III and IV pulled in a mild-mannered $60 and $16 million each.

Batman, however, has no flops in his bat closet. The 4 film franchise Tim Burton kicked off in 1989 averages $176 million, even with Schumacher’s Batman and Robin scrounging only $107. Ignore that low ball, and Batman flaps over Thor to perch under the 2006 Superman at $199.

Of course all this math is about to change.

July is rematch month for Hollywood’s billion dollar superheroes. The franchise-rebooting Amazing Spider-Man opens this week, and the reboot-capping Dark Knight Rises opens the 20th.

Despite Peter’s higher gross average, Bruce is the top seed. Dark Knight alone pulled in $533, more than doubling Batman Begins.  Until The Avengers plowed through box offices in May, Dark Knight was the third biggest money maker of all time, just under Avatar and Titanic (yes, uberdirector James Cameron hogs both first and second place). Adjust for inflation though and The Avengers plunges to 32nd, making Dark Knight s 28th the financial high bar for superhero films. (Gone With the Wind , the inflation-adjusted champion, opened way back in 1939, the same year the first 6-page “Bat-Man” premiered in Detective Comics.)

Peter Parker followed the more standard sequel trajectory, with Spider-Man 2 making a bit less than the Spider-Man, and 3 making a bit less than 2. Spider-Man 4 might have continued down that (still highly lucrative) slope, but post-trilogy contract negotiations were a supervillain Columbia Pictures could not defeat. Thus Andrew Garfield as the new Tobey Maguire.

Can Garfield really take on Christian Bale? Mark Zuckerberg pinned him in the first round of Social Network when Garfield played Zuckerberg’s less than savvy business partner. But Bale’s current Batman costume is so constricting, he almost passed out while filming.  Garfield also played a love-struck clone in Never Let Me Go, so Bale might have to face multiple spider copies. Of course Bale is also a two-time homicidal maniac from Shaft and American Psycho, so he could chainsaw all the Garfields Columbia throw at him.

Whatever the outcome, the fight won’t end here. Warner Brothers already has plans to re-reboot the Batman franchise after the Bale-and-Nolan tag team retires. And if Columbia doesn’t like Garfield’s performance, he could go the way of Michael Keaton, Val Kilmer, and George Clooney. There are always more clones warming up in the locker room. And superhero fans ready to drop more cash into Bruce’s and Peter’s billionaire pockets.

Tags: , , , , , , , ,

The Amazing Spider-Man isn’t due in theaters till July 2012, but Columbia Pictures has already announced May 2014 for the release of its sequel. I’m sure screenwriter James Vanderbilt has hashed through several drafts already, which is a shame since the best Spider-Man 2 screenplay was finished almost a decade ago.

It’s also the only superhero script penned by a Pulitzer Prize winner. After The Amazing Adventures of Kavalier and Clay gave comic books their first radioactive bite of literary legitimacy, Columbia Pictures hired author Michael Chabon to write the sequel to their 2002 Spider-Man. Compare Chabon’s script to the filmed version and you’ll understand why he sticks to novels.

He is only one of four writers on the final credits. He shares “story” with two others, but “screenplay” goes to Alvin Sargent. (Perhaps Columbia mistook Sargent’s 1972 adaption The Effect of Gamma Rays on Man-in-the-Moon Marigolds for The Incredible Hulk.)

I’m not saying Chabon’s Spider-Man 2 would have won more awards (the Sam Raimi film took the 2004 Oscar for Best Visual Effects), but it did deserve a fuller screening. Columbia rehired Sargent not Chabon for Amazing Spider-Man, so they could still bring in Chabon to take the new sequel “story” and craft an even better “screenplay” than his last.

Admittedly, Chabon doesn’t care much about supervillians. His death of Doctor Octopus reads like an afterthought. Like Cavalier and Clay, it’s the love triangle that gives his story its mutant bite.

Here are my favorite (albeit sentimental) bits (pay attention, Mr. Vanderbilt):

Peter lied to Mary Jane when he told her he didn’t love her. He thought he had to; she and Peter’s best friend James Franco (this is before Mr. Franco ripped off his hand in 127 Hours and caused the end of the human race in Rise of the Planet of the Apes) were already engaged.

It’s also before Doc Ock rips off the Spider-Man mask, and Mary Jane (“with dawning shock and horror”) yelps “Peter!” A few pages later and the two are face to face, the unmasked Peter with several tons of collapsing building on his back and Mary Jane and her broken leg pinned under him. (I didn’t say Chabon was subtle.)

Peter says, “Hi.”

What does Mary Jane say?


(Improbably, this is one of the few times Sargent retains Chabon’s dialogue.)

Chabon counts down the inches, five, four, three, less than one, until their faces are close enough for a kiss. Only now, his mask gone, the weight of his responsibilities about to crush them both, can Peter admit his love.

It’s also apparently what Mary Jane needed to get her leg free. In the next scene she’s happily bandaged in her apartment with Peter for a bedside nurse.

Narrative law requires that once unmasked a hero and his love interest must immediately have sex and/or get married. Chabon suggests both. But first his Peter has to try the classic superhero excuse for non-commitment:

“I do love you. I have loved you all my life, Mary Jane Watson. I just can’t have you, that’s all. The danger, the uncertainty. The hatred. I can’t ask that of you. . . . ”

Chabon’s Mary Jane is too smart:

“You were given a gift, Peter. I want to share that gift with you. And I want you to share it with me. You don’t have to do it alone. . . . What, you think police officers don’t get to be in love? Firefighters don’t get to be married? That’s crazy.”

“Wait, did you say married?”

“I already know your damn secret identity!”

And there it is, Superhero Intimacy 101. Take off your mask, wear your heart on your spandex sleeve.

Peter carries Mary Jane up the side of her apartment building (I skipped the bit where she jumps out the window to make him save her) and back in through her window.

She asks, “Does this mean I get to see the Spider Cave?”

Peter says no, there is no Spider Cave, but their off screen voices vanishing into the dark of her bedroom suggest otherwise. She’s about to see all of Peter’s secret Spider bits, not just the ones Mr. Sargent liked.

All Chabon needs is “The Amazing” in his title, and director Marc Webb should be ready to start shooting.

Tags: , , , , , ,

%d bloggers like this: